Broomberg & ChanarinBiography
Adam Broomberg and Oliver Chanarin are artists living and working in London; their latest book War Primer 2 is published by MACK (2011). Broomberg and Chanarin teach at the School of Visual Arts in New York and are Visiting Fellows at the University of the Arts London.
For more information, visit Broomberg & Chanarin's website here
People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling...
The Belfast Exposed Archive occupies a small room on the first floor at 23 Donegal Street and contains over 14,000 black-andwhite contact sheets, documenting the
'Troubles' in Northern Ireland. These are photographs taken by professional photojournalists and 'civilian' photographers, chronicling protests, funerals and acts of terrorism as well as the more ordinary stuff of life: drinking tea; kissing girls; watching trains.
Belfast Exposed was founded in 1983 as a response to concern over the careful control of images depicting British military activity during the 'Troubles'. Whenever an image in this archive was chosen, approved or selected, a blue, red or yellow dot was placed on the surface of the contact sheet as a marker. The position of the dots provided a code; a set of instructions for how to frame the photographs in this book.
Each of the circular photographs shown on the previous pages reveals the area beneath these circular stickers; the part of each image that has been obscured from view the moment it was selected. Each of these fragments - composed by the random gesture of the archivist - offers up a self contained universe all of its own; a small moment of desire or frustration or thwarted communication that is reanimated here after many years in darkness.
The marks on the surface of the contact strips - across the image itself - allude to the presence of many visitors. These include successive archivists, who have ordered, catalogued and re-catalogued this jumble of images. For many years the archive was also made available to members of the public, and sometimes they would deface their own image with a marker pen, ink or scissors. So, in addition to the marks made by generations of archivists, photo editors, legal aides and activists, the traces of these very personal obliterations are also visible. They are the gestures of those who wished to remain anonymous. We would like to acknowledge and thank the original photographers Mervyn Smith, Sean McKernan, Gerry Casey, Seamus Loughran and all other contributing photographers to Belfast Exposed's archive.